'NAKED AS NATURE INTENDED' (1961) and 'SECRETS OF
A WINDMILL GIRL' (1966)
- A review by Richard Harrison (2011)
On a first glance, the two films featured on this single disc in the
saucily-titled 'Slap and Tickle'
collection have much in common- both were made in the 1960s, both
include a voice-over narrator, and both include women divesting
themselves of clothing. Closer investigation shows that, despite these
initial similarities, both films are very different
in their approach, tone and, above all, content, which make them an
intriguing (and surprisingly successful) pairing.
The earlier film- Naked As Nature Intended- was made in 1961,
and is a travelogue-cum-art film featuring three
working girls going to the beach to escape the humdrum monotony of
their everyday lives. This story is told in parallel
with that of two girls travelling to a nudist beach, and it's barely
any surprise that the innocent pleasures of the
latter are soon introduced to our three working class heroines. This
plot outline does not, however, do the film
justice- the journey to the coast includes sweeping pans of the
beautiful scenery and the occasional lesson in history
(such as when the girls visit Stonehenge and later Tintagel). It is
this educational aspect that makes Naked As Nature Intended
somewhat surprising, as a disembodied narrator (with the occasional
weak joke) is present throughout. Early in the film,
after filling us in on the girls' backgrounds, he comments sagely 'now
you know as much as I do', heightening the feeling
of this being a very personal story.
Despite its title, the film features no full nudity- handily
placed bags and rocks ensure that we do not see what would have made
the film unacceptable to the censor at the time. Naturally, there is a
surfeit of shots featuring
the breasts of the girls concerned, which only becomes shocking when
they
are introduced to the very elderly couple who are in charge of the
nudist club. The film's art status is established in the opening shot-
a single static camera
runs for 90 seconds without a cut nor significant action before the
opening credits come up,
and overall the film is a quaint time-capsule of innocence, a
malice-free look at the burgeoning
phenomenon of nudist beaches.
The film, although transferred from the best available elements, has
some marks and scratches
on its print which also jumps occasionally. It is still, however,
perfectly watchable.
Secrets of a Windmill Girl, the other film on the disc, was
made in 1966- and is very much a different beast. For a start, nudity/
the
absence of clothing is more incidental than motivated by plot demands-
in other
words, we see quite a lot of female flesh because it is necessary to
tell the story,
rather than out of any exploitative desire. Another key difference
between the films
can be found in their openings- this later film opens with high drama,
setting a different
tone from the outset. The narrative of Secrets of a Windmill Girl,
by its very nature,
is much more sober than that of Naked As Nature Intended , and
we are made to feel
slightly uneasy as a result.
Differences aside, both films can be placed in historical/social
context- Secrets of a Windmill Girl
provides an invaluable record of the Windmill Theatre by including
real-life Windmill girls and Theatre staff
alongside actors and actresses (Pauline Collins as Pat and a youthful
Martin Jarvis as Mike excel). In its
inclusion of a 'serious' cast, Secrets of a Windmill Girl is
designed to be taken seriously, and also to
tell a story- through all the lengthy documentary-like sequences of the
"turns" at the Windmill Theatre, a genuine
air of humanity shines through, and we can relate to the characters-
which we cannot in Naked As Nature Intended .
Interestingly, Secrets of a Windmill Girl, as a product of the
late 1960s, is far more "swinging" than its 1961
disc-mate. More or less every aspect of the counter-culture is present
in the 1966 film, culminating in the party scene
with the red filter and subjective cinematography. The sudden ending is
perhaps a weakness- but it does signal a more
adult/ mature attitude rather than the almost fairytale-like narration
of the 1961 film.
Both 1960s films on this disc represent a fascinating glimpse of ground
which was not explored in more commercial, mainstream
cinema. Thus, their offbeat nature (not to say the amount of flesh on
display) may not be for everyone. For students of British cinema,
though, the disc represents a very necessary addition to the canon of
exploitation films. The sleevenotes,
though brief, are an excellent, informative read, and Odeon
Entertainment are to be warmly commended for having the foresight to
release these two films into as world that is very different indeed
from that featured in Naked As Nature
Intended and Secrets of a Windmill Girl.
The double bill of Naked As Nature Intended and Secrets of
a Windmill Girl is available now from Odeon
Entertainment.
Odeon Entertainment website
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